The Dr. Seuss You Never Knew

The 2019 edition of UC San Diego Geisel Library’s “Dinner in the Library” series celebrates new acquisitions from the estate of Theodor “Dr. Seuss” Geisel, most of which have never before been exhibited publicly. The Library’s Special Collections already houses over 20,000 items related to Geisel, including sketches, paintings, cartoons, letters, and manuscripts, and these new arrivals will further enhance its status as the world’s premiere repository of Seuss miscellany.

University Librarian Erik Mitchell welcomes a distinguished panel to discuss their reactions to the unveiling of Geisel’s “private art.” Seth Lerer, moderator and Distinguished Professor of Literature at UC San Diego, traces the development of Geisel’s stylistic vocabulary though doodles and rough sketches not intended for publication, and invites fellow panelists and the audience to consider the proper placement of these works within Geisel’s larger oeuvre. Rob Sidner, Executive Director of the Mingei International Museum, notes that many of the new acquisitions were exhibited in Geisel’s home and speculates on their personal significance to the artist. Mary Beebe, Director of the Stuart Collection at UC San Diego, discusses Geisel’s acrylic paintings on display, noting they are uncharacteristic of Geisel and yet valuable for that reason. Beebe also cites Geisel’s delight in wordplay as a consistent feature of his work.

Other topics featured in this wide-ranging discussion include the challenges of exposure to a hitherto-unknown facet of an artist’s work, influences on Geisel’s development such as theatre and Surrealism (most notably Salvador Dali), the underlying social commentary in many of Geisel’s cartoons and books, his frequent portrayals of “sympathetic monsters,” and the importance of acknowledging that, in Seth Lerer’s words, “not everything in this collection is happy or funny; some of it is in fact quite dark.”

Theodor Geisel famously maintained that he wrote his books for adults, and that their adoption as beloved icons of children’s literature was a fortunate happenstance. The new additions to the Geisel Library’s Special Collections contribute to a fuller portrait of this complex and prolific artist, one possessed of considerable skills whose range of styles and thematic concerns is greater than previously appreciated.

Watch — The Private Art of Theodor “Dr. Seuss” Geisel – Dinner in the Library 2019

Ann Patchett

Contributed by John Menier

8232Listed by Time magazine as one of the world’s 100 most influential people in 2012, Ann Patchett is a true woman of letters: novelist, essayist, anthologist, and co-owner of Parnassus Books in Nashville. Patchett is also a frequent and accomplished public speaker, noted for her anecdotes about the literary life, her insights into the creative process, and her wry wit.

One of Patchett’s favorite topics is the ever-changing relationship between readers and books. As an example she cites her own evolution reading (and re-reading) the works of John Updike, Leo Tolstoy, Pearl Buck, Ta-Nehisi Coates, and others, noting that “the books don’t change, but we do.” Put another way, the reader’s evaluation of a particular book is shaped as much by the reader’s life experience and circumstances as by the work’s innate qualities. As such our appreciation (or lack thereof) for a particular title may change over time, but the consistent commonality among the books we treasure is that they never fail to evoke a strong response. Patchett believes the writer’s primary task is to elicit that response by inviting the reader to become an active participant in their story.

Patchett’s approach to the reading public is refreshingly un-elitist. She stresses the importance of what she calls “gateway drugs,” books of dubious literary worth that may encourage readers to explore other authors and genres. She applauds the success of “trashy” pop novels such as “Fifty Shades of Gray” and “Twilight,” no matter their pedigree, for their role in re-vitalizing book sales and energizing the publishing community. What matters most to Patchett as both author and bookstore owner is that the reading habit is fostered and encouraged, and in that endeavor, there’s no place for snobbery.

Click here to watch An Evening with Ann Patchett

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