Trans Media Makers

8232Transgender issues have been represented on film for some time and have an enormous impact on society because it is through media that most Americans learn about transgender people. This series from the Carsey-Wolf Center at UCSB looks at contemporary media work in television, feature documentaries, and fiction films that explore the dreams, challenges, successes and everyday lives of trans people. These unapologetic films challenge the often rigid binary view of the world.

Take a look at these fascinating discussions:

Raising Zoey
The film follows 13-year-old Zoey and her family as they navigate Zoey’s transition from boy to girl, highlighting the legal battles they wage against discrimination in Zoey’s public school. This Q&A session with the film’s director Dante Alencastre is moderated by Abigail Salazar of UCSB’s Resource Center for Sexual & Gender Diversity.

Transparent
The critically-acclaimed comedy-drama series debuted in 2014. It strives to demystify the trans experience and make it visible. Amy Villarejo, professor of performing and media arts at Cornell University, joins Patrice Petro, professor of film and media studies at UCSB, for a discussion of transgender emergence, Jewish identity and queerness within this TV series.

Free CeCe
The documentary confronts the culture of violence surrounding transwomen of color. CeCe McDonald survived a brutal attack, only to be incarcerated for defending her life. A Q&A session featuring director Jacqueline (Jac) Gares and CeCe McDonald is moderated by Lal Zimmerman, assistant professor of linguistics at UCSB.

Still Black: A Portrait of Black Transmen
Director Kortney Ryan Ziegler’s documentary centers on the stories of six diverse transmen. This Q&A session with Ziegler is moderated by Jennifer Tyburczy, a professor of feminist studies at UCSB.

Tangerine
The critically acclaimed indie film offers a compelling and unique look trans street culture rarely seen on film. The Los Angeles sex trade story was entirely shot using modified iPhone 5S cameras. This Q&A session with actress and transgender woman Mya Taylor is moderated by professor of film and media studies Patrice Petro.

Oliver Stone on Conversations with History

8232Years ago (I won’t say how many) I was sitting on the steps of a Cinemobile truck parked near a film set (I won’t say which one), practicing “hurry up and wait.” I was chatting with a grip, a veteran of countless productions with decades in the business. At one point he sighed, looked off in the distance, and said, “Just once I’d like to work on a picture that’s about something real.” Even at that tender age I understood that desire; it’s what compelled me to become a documentarian, while my fellow film students aspired to be Spielberg or De Palma.

I recently recalled that encounter while watching an episode of Conversations with History featuring filmmaker Oliver Stone, and realized that my enthusiasm for factual filmmaking also informed my interest in Stone’s work. Beginning with his sophomore film, “Salvador,” and throughout his career, Stone has incorporated elements of documentary style in heightened narratives that are often based on real people and historical events. In his pursuit of what he’s termed “emotional truth,” as opposed to literal truth, Stone has never shied away from controversy. Stone’s detractors – and they are legion – accuse him of being “undisciplined’ and “reckless” in dealing with facts, labeling him as a “propagandist” and an “amateurish would-be historian.” In fairness Stone has never claimed to be either objective or an historian in the academic sense (though his films are heavily researched); rather, he has stated that his goal is not to provide definitive accounts but to spark debate while hopefully entertaining his audience. In this he has often succeeded, and even those self-same detractors can’t deny his prowess as a filmmaker.

Stone’s work in documentary and docudrama is just one of the many topics discussed in a wide-ranging interview with “Conversations” host Harry Kreisler. Of particular interest is Stone’s discourse on the changes that have overtaken him since his last appearance on the program some twenty years earlier. He’s an older artist who’s fallen out of favor in Hollywood, and his once-prodigious output has slowed as a consequence, but Stone remains committed to his beliefs and fearless in expressing his viewpoint.

One of the consistent themes in Oliver Stone’s work is a determination to explore the complexities of character, and in this interview Stone himself emerges as a complicated figure – by turns insightful, dogmatic, worldly, parochial, passionate, and analytical; at times exasperating, but, like his films, never dull.

Browse this program and others on Conversations with History.