Since its inception 15 years ago, UC San Diego Jazz Camp has stayed focused on a single goal: ensuring the continued vitality of jazz music by identifying, instructing, and nurturing new talent. The camp accepts students ranging in age from 14 to adult, and from a variety of educational or vocational backgrounds. Prior to attending the camp, students attend placement auditions based upon which they are assigned to one of two proficiency levels, intermediate and advanced. Most of the camp’s instruction is designed for one of these levels.
The camp’s faculty is made up of internationally renowned musicians who are experts in a variety of jazz stylings, from be-bop to contemporary open-form. The rigorous and immersive curriculum covers a broad range of topics and techniques, including Jazz Improvisation, Listening to Jazz, Master Classes, and individual lessons. There is a particular emphasis on jazz as a performance-oriented art form through participation in small ensembles and informal jam sessions, and attendance at faculty concerts.
The week’s activities culminate in a finale concert in which all students perform as a member of an ensemble under the supervision of a faculty member. Concert sets feature an assortment of instrumental combinations and an eclectic repertoire that includes standards as well as new compositions by faculty and students. Each student gains valuable performance experience and an opportunity to shine in front of a supportive and appreciative audience. In turn, audience members have the opportunity to witness some fine young musicians at the start of their career and older musicians embarking on a new chapter.
Renowned musician Steven Schick and award-winning environmentalist/author Barry Lopez may seem like an unlikely pairing until you consider the long history of nature’s influence on art, including music. From Vivaldi’s “Four Seasons” through Beethoven’s “Pastoral” Symphony and Debussy’s “La Mer” to the works of Vaughan Williams, Olivier Messiaen, and John Cage (to name but a few), contemplation of the natural environment has provided inspiration to generations of composers.
In Music and Nature, musician Schick and environmentalist Lopez consider the myriad ways our shared natural milieu has shaped the arts, and how the arts may in turn heighten awareness of environmental issues. They reference as an example John Luther Adams, a contemporary American composer whose works routinely incorporate natural sounds and/or allude to the environment. (His Pulitzer Prize-winning orchestral composition “Become Ocean” is based on the premise that if sea levels continue to rise, we will inevitably and quite literally “become ocean.”)
In the course of their talk the two men are able to cross the interstice that lays between their backgrounds – Schick’s as an Iowa farm boy and Lopez’s as the product of a New York upbringing – to find common ground in a philosophy that rejects an elitist or isolationist view of art, instead placing it firmly in the context of broader worldly concerns (e.g., climate change). This philosophy is reflected in the movement in educational circles from STEM – Science, Technology, Engineering, and Math – to STEAM, the previous disciplines combined with Art/Design. It also plays a role in the renewed recognition that a liberal arts education has advantages in today’s workplace.
An hour in the company of Steven Schick and Barry Lopez will stimulate ideas and conversations of your own – and that’s an hour well-spent.
Summer wouldn’t be the same without La Jolla Music Society’s SummerFest!
Every year La Jolla Music Society orchestrates three weeks of chamber music concerts with world famous musicians who not only perform original works but participate in discussions, give lectures and coaching sessions for younger musicians, and attend social events.
UCSD-TV has been capturing these musical moments since the 1999 SummerFest season and all of these performances are archived on our website.
SummerFest, led by violinist Cho-Liang Lin, delves into the story and art behind the musical pieces with pre-concert talks and interviews with the artists.
Get ready for the upcoming season of SummerFest with this past episode, featuring “Wayne Shorter’s Terra Incognita, 2006.” Shorter discusses his inspirations for his famous “Terra Incognita” as well as the Imani Winds quintet describing their experience playing the piece.
See what other musicians have been a part of the chamber music celebration in the SummerFest Series!
Looking for a way to send your summer off with a musical kick? UCSD-TV is here to help. Take one listen to our Jazz Camp finale concert and your toes will be ready to tap right into the fall. Students along with accomplished musicians take to the stage to perform compositions representing the many stylistic approaches to jazz.
Don’t miss the highlights from these incredible musicians, captured by UCSD-TV.