Golda Meir Through a Feminist Lens

8232Author and Boston University law professor Pnina Lahav discusses her forthcoming biography, “Golda Meir: Through the Gender Lens.” She explores the first and only woman prime minister of Israel, and her complex relationship with her role as a female leader in a man’s world.

As a child, Golda migrated from Russia to Wisconsin and received conflicting messages about her place in the world. Wisconsin law insisted she had to be educated in school and wouldn’t allow her to work at her mother’s grocery store during the day. However, as a young woman, the message from society was also clear: women were supposed to become wives and mothers – and her parents were eager for her to comply.

Her sister, Sheyna, encouraged Golda to run away from home in order to pursue the life she wanted. Sheyna gave her this advice: “The main thing is, never get excited – always become an act of cooling. This action will bring you good results.” Golda put this advice to use in the many political crises she encountered throughout her adult life.

According to Lahav, Golda had a nuanced view of the division of labor between men and women. During the rise of the feminist movement, many women resented being resigned to the kitchen. However, Golda endorsed kitchen work as a way to contribute to the community. She felt that, in the fullness of time, gender roles would melt away, and she instead focused on the needs of the Jewish people as a whole, as opposed to the needs of women, specifically.

During her long career, when Golda was in favor with the public, she was considered the “grandmother” of the Jewish people. However, according to professor Lahav, when people disagreed with her political strategies, the old gender stereotype kicked in. “They believed it was because she was a woman that many of the harms were visited upon them. A woman is considered nasty, unnecessarily rigid, emotional, capricious, whimsical and unfit for public office. She was not even beautiful and did not dress well, they said – as if that was a necessary qualification for the job.”

To learn more, watch Golda Meir Through a Feminist Lens. Browse related programs in the series Herman P. and Sophia Taubman Endowed Symposia in Jewish Studies.

Nosferatu with Werner Herzog

Contributed by John Menier

32822“For such an advanced civilization as ours to be without images that are adequate to it is as serious a defect as being without memory.”
― Werner Herzog

The Carsey-Wolf Center at UC Santa Barbara has created a series entitled “Hollywood Berlin,” featuring screenings and discussions of films by five prominent German directors: Werner Herzog, Fritz Lang, Ernst Lubitsch, F.W. Murnau, and Billy Wilder. With the exception of Herzog these artists are representative of the wave of German exiles and immigrants who left Europe in the 1920s and 1930s to work in Hollywood, and counted among their number producers, directors, actors, writers, technicians, and cinematographers. In addition to their professional expertise that generation of émigrés brought European influences to American cinema, as reflected by film noir, increasing sophistication in comedies, and a willingness to address serious social issues.

In the inaugural program of “Hollywood Berlin” celebrated filmmaker Werner Herzog joins Carsey-Wolf Center Director Patrice Petro for a discussion of his film, “Nosferatu the Vampyre,” based on F.W. Murnau’s “Nosferatu, eine Symphonie des Grauens” (“Noserferatu, a Symphony of Horrors”). Upon the release of Herzog’s film in 1979 many critics expressed surprise at his choice of subject matter. Herzog was already well-known as the auteur of idiosyncratic art-house works based on his original screenplays. Pundits assumed that Herzog’s film was simply a remake of Murnau’s 1922 masterpiece, and they were puzzled. As Herzog explains in this program, that assumption was mistaken; his version of “Nosferatu” was intended not as a slavish imitation but as an homage both to Murnau’s film and to a seminal era of German filmmaking. In terms of plot and characters it falls midway between Bram Stoker’s novel “Dracula” and Murnau’s “Nosferatu” (which was an unauthorized version of Stoker’s novel), incorporating elements of both while adding the director’s well-known pictorial sense. Herzog sees his film as providing an explicit link between his generation, the “New German Cinema,” and what he calls “our grandfathers,” those movie-makers whose mass exodus left behind a German film industry that was moribund until the advent of Herzog, Fassbinder, Schlöndorff, Wenders, von Trotta, et al in the late 1960s and 1970s.

Using “Nosferatu” as a jumping-off point for conversation, Herzog elaborates on a variety of topics including his writing process, his relationships with collaborators, the importance of music, and his philosophy concerning the primacy of the image. He also addresses some of the myths and misconceptions (mythconceptions?) that have arisen from his storied career, most of which cast Herzog as an uncompromising artist who undertakes his projects with a humorless, single-minded zeal bordering on madness. While it’s true that the prolific Herzog is passionate about cinema – he once said that “we are starved for images, and it’s my duty to provide them” – he displays a healthy sardonic humor regarding himself and his public image. (“I am not Teutonic. I am Bavarian.”)

Witty, articulate, intellectually rigorous, and disarmingly honest, Werner Herzog is the perfect introduction to a series celebrating the work of German filmmakers past and present.

Watch Nosferatu with Werner Herzog

Ann Patchett

Contributed by John Menier

8232Listed by Time magazine as one of the world’s 100 most influential people in 2012, Ann Patchett is a true woman of letters: novelist, essayist, anthologist, and co-owner of Parnassus Books in Nashville. Patchett is also a frequent and accomplished public speaker, noted for her anecdotes about the literary life, her insights into the creative process, and her wry wit.

One of Patchett’s favorite topics is the ever-changing relationship between readers and books. As an example she cites her own evolution reading (and re-reading) the works of John Updike, Leo Tolstoy, Pearl Buck, Ta-Nehisi Coates, and others, noting that “the books don’t change, but we do.” Put another way, the reader’s evaluation of a particular book is shaped as much by the reader’s life experience and circumstances as by the work’s innate qualities. As such our appreciation (or lack thereof) for a particular title may change over time, but the consistent commonality among the books we treasure is that they never fail to evoke a strong response. Patchett believes the writer’s primary task is to elicit that response by inviting the reader to become an active participant in their story.

Patchett’s approach to the reading public is refreshingly un-elitist. She stresses the importance of what she calls “gateway drugs,” books of dubious literary worth that may encourage readers to explore other authors and genres. She applauds the success of “trashy” pop novels such as “Fifty Shades of Gray” and “Twilight,” no matter their pedigree, for their role in re-vitalizing book sales and energizing the publishing community. What matters most to Patchett as both author and bookstore owner is that the reading habit is fostered and encouraged, and in that endeavor, there’s no place for snobbery.

Click here to watch An Evening with Ann Patchett

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Writer’s Symposium By The Sea 2017

8232Join host Dean Nelson as he welcomes three writers to this year’s Writer’s Symposium by the Sea. This annual event at Point Loma Nazarene University presents an evening of interviews conducted by symposium founder Dean Nelson, featuring lively conversations about the inspiration behind the authors’ works. Enjoy cutting edge creators, life stories, examples of great writing, and evocative conversation that will inspire the reader and writer alike.

8232An Evening with Tracy Kidder
Pulitzer Prize-winning author Tracy Kidder reveals his reporting strengths as he describes how he earned the trust of the people he has featured in books such as “Mountains Beyond Mountains,” “House,” “A Truck Full of Money,” “Old Friends,” and “Strength in What Remains.” Kidder shares the joys and doubts of a career in writing with veteran journalist and host Dean Nelson.

8232An Evening with Robert Pinsky
Former Poet Laureate Robert Pinsky describes himself as a “composer” who considers poetry to be first and foremost a vocal art, and his work seeks to blur the distinctions between language and music by emphasizing the rhythms and innate physicality of recited verse in a jazz context. In this performance, Pinsky’s reading is accompanied by a talented trio of PLNU students. The music – a blend of rehearsed and improvised – employs a variety of jazz styles, sometimes sympathetic and sometimes in playful counterpoint, but always responsive to the poet’s distinctive voice.

8232An Evening with Shauna Niequist
This far-reaching conversation with best-selling author Shauna Niequist offers an honest account of her journey of becoming and evolving as a writer. She shares her love of storytelling and her goal of living life to the fullest, and offers tips for aspiring writers. Niequist’s newest release is “Present Over Perfect: Leaving Behind Frantic For A Simpler, More Soulful Way Of Living.”

Browse past seasons of Writer’s Symposium by the Sea to watch interviews with Joyce Carol Oates, Anne Lamott, Billy Collins, Mary Karr, and more!

Are You Serious About Movies?

8232If you are someone that enjoys going behind the scenes with filmmakers, directors, screenwriters and others involved in the film industry, check out the amazing line-up from the Carsey-Wolf Center at UC Santa Barbara.

From the blockbuster to the independent film, you will be treated to fascinating stories and insights into the process of making films from those actually doing it.

Carl Gottlieb – Jaws
Don Hertzfeldt – Two time Oscar-nominated independent filmmaker
Sherief Elkatsha – Cairo Drive
Michael Miner – Robocop
Josh Singer – Spotlight
Iva Radivojevic – Evaporating Borders

and coming soon:

David Gerrold – Star Trek: The Trouble with Tribbles

Browse Carsey-Wolf Center’s Script to Screen to find the writers of your favorite movies.