Join the team from the world-renowned Scripps Oceanographic Collections, where millions of specimens allow scientists to understand some of the amazing adaptations marine creatures have developed to survive. Get an insider’s view into fascinating creatures in these irreplaceable scientific collections.
Try to remember the first time in your life when you imagined something. It may have been imagining what was behind the door or under the bed, or a fantastic universe of wonders and exciting adventure. As children, our imaginations are furtive and encouraged as ways in which we develop our cognitive capabilities. As we grow older, we may not imagine in quite the same ways, but we continue to heavily use and depend on our imagination in our daily lives, imagining different situations that might occur in a few moments or in a few years. Thus, we actually spend a large amount of time in our own particular universe imagining many possible different ones.
Why do we do this and how did this capacity evolve in humans? Imagination probably helped our ancestors to be successful in making decisions and live in complex societies, and imagination is key to advancing technology. In this CARTA symposium, imagination is explored as a unique and enhanced human ability, and experts from all fields discuss its evolutionary origins, the fundamental genetic and neurological basis of human imagination, the impact of human imagination in science and art, and the consequences of imagination impairment.
Browse more programs in CARTA: Imagination and Human Origins
From its origins in the African-American community of New Orleans in the late 19th century jazz has evolved into the premiere all-American art form, and has been labeled “America’s classical music.” By the 1920’s the genre had been embraced by the mainstream to such an extent that the Twenties and Thirties were declared “the Jazz Age” by author F. Scott Fitzgerald, and European composers including Stravinsky and Ravel incorporated jazz elements into their work.
Developing from roots in country blues, ragtime, field hollers, and spirituals, jazz music is notoriously difficult to define as it embraces many subgenres, among them Dixieland, swing, bebop, hard bop, cool jazz, free jazz, Afro-Cuban, modal jazz, jazz fusion, post-bop, and Latin jazz. However varied these styles, they do share some commonalities, chief among them an emphasis on live performance and on improvisation. Classical music performance is judged by fidelity to the written score and the composer’s intentions; by contrast jazz is more often characterized by interaction and collaboration in the moment. Less value is placed on the composer’s contribution and more on the individual musician’s interpretations of melodies, harmonies, and time signatures. Whereas classical music recordings strive to capture a definitive performance of a given work, jazz recordings document just one interpretation of a piece at a particular moment in time. Because of its improvisational nature no two jazz interpretations are alike, and there are no absolutes. It’s an art form that finds its purest expression in live performance, such as in the UC San Diego Jazz Camp’s Finale Concert.
UC San Diego Jazz Camp is an annual week-long intensive workshop for students aged 14 and older. Attendees are mentored by a distinguished faculty of music professionals and educators in a variety of jazz-related topics, including theory, composition, improvisation, critical listening, technology, performance practice, and ensemble performance. Students are grouped into ensembles under the tutelage of a faculty member, and rehearse standards and original compositions for the Camp’s Finale Concert before an audience of family, friends, and jazz aficionados. In the process student musicians are introduced to that combination of group interplay and individual expression, of discipline and spontaneity, that is unique to jazz.
As humankind faces massive changes in weather patterns, sea level, ocean acidity, and oxygen levels, Scripps Oceanography has launched a new center focused on understanding and adapting to the impacts of climate change. Mark Merrifield, director of the new center explains how the members of this dynamic network will develop strategies for climate change adaptation.
Getting hired is hard. From finding the right position, to getting a call back, to acing the interview – each step presents its own challenge. There is so much advice out there, but who better to listen to than two senior level managers at San Diego companies?
Silvia De Dea from ASML and Janet Koenig from Cubic Transportation Systems sat down with Startup San Diego’s Neal Bloom to share their insights into getting hired, and growing your career. In addition to great technical skills, both agree communication is more important now than ever before. Koenig and De Dea go into detail about how you can show off your communication skills, even if you’re an introvert, by properly preparing for your interview. In this enlightening conversation, the pair also discusses how to advance your career, while staying open to new opportunities.