Unlike most other animals, much of human brain development and maturation occurs after birth, a process that continues into early adulthood. This unusual pattern allows for greater influences of environment and culture on the emergence of the adult mind.
This series of programs from the recent CARTA symposium addresses the interactive contributions of nature and nurture in this process, ranging from experiments by ancient monarchs and lessons from “feral” children of various kinds, to the follow-up on Romanian orphans.
Distinguished speakers address comparative and neurobiological issues which likely played a key role in the origins of the human species and in the evolution of distinct features of our minds.
When considering the evil events in history, the Holocaust remains one of the most notorious.
Dr. Joel Dimsdale, professor of psychiatry at UC San Diego, began his work 40 years ago studying survivors of Nazi concentrations camps, uncovering strategies of coping that helped these victims survive. However, after a visit from a Nuremberg executioner, Dimsdale began to study the perpetrators of these crimes instead.
In this presentation, part of the Holocaust Living History Workshop, Dimsdale examines archival data of Rorschach ink blot tests administered at the Nuremberg trial in an attempt to uncover those answers.
The 1170 murder of Thomas Becket in Canterbury Cathedral by followers of King Henry II shook Christian Europe to its foundation, and set off reverberations still felt today. The nefarious deed also inspired two 20th Century works of art, the verse play by T.S. Eliot and Ildebrando Pizzetti’s opera, “Murder in the Cathedral.”
San Diego Opera is staging its production of Pizzetti’s work this Spring, so UCSD-TV and San Diego Opera’s Nick Reveles want to make sure you know what it’s all about. In this edition of “San Diego OperaTalk,” Reveles offers a guided tour of “Murder in the Cathedral,” including its basis in Eliot’s play, the development of musical themes, and Pizzetti’s melding of words and music for maximum dramatic effect.