Pay Attention – New Documentary Features UCSD’s Stuart Collection

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An eternal question: What is “public art?”

The definition of public art continues to evolve, but at its most basic level public art can be defined as “work created by artists for places accessible to and used by the public.” In other words, there’s no velvet rope ‘twixt the art and the patron. It’s worth noting that the art/public art field distinguishes between “public art” and “art in public places.” The former term implies a contextual, often collaborative approach to the creation of art that takes the site and other local factors into account, while the focus of the latter is on the art itself, not where it will be sited. Put another way, “public art” is site-specific, or designed for a particular environment – for instance, a university campus.

“UCSD may not have a football team, but it does have the Stuart Collection.”
– A UC San Diego student

Established in 1982 by retired businessman James Stuart DeSilva, the Stuart Collection of public art at UC San Diego is unique in several respects:

Commissioned Works

Whereas other collections – for example, UCLAs Murphy Sculpture Garden – consist of acquisitions, all works in the Stuart Collection are commissioned; prominent contemporary artists are invited to survey the campus and develop proposals based on their site selection. Proposals are reviewed and approved by an Advisory Board, and most of the works are constructed on-site rather than in a studio.

Self-Funded

The Collection also differs in its funding model. Other collections, such as the J. Michael Bishop Art Collection at UCSF Mission Bay, typically rely on a percentage of construction budgets (1% is common) allocated for public art, but the Stuart Collection is entirely self-funded by grants and donations.

Variety of Forms

An unusual emphasis on variety is another hallmark of the Stuart Collection. Unlike a conventional sculpture garden the works span a variety of forms, materials, genres, etc., and are often “one of a kind” in relation to the artist’s body of work. As the pieces are varied, so too are the artists themselves, ranging from painters (Elizabeth Murray) to installation artists (Nam June Paik) to composers (John Luther Adams). Several of the artists who’ve created pieces for the Collection are not otherwise known for public art (John Baldessari, William Wegman, Terry Allen).

However varied in their form and function, all of the pieces in the Stuart Collection share a common goal. They don’t proselytize or attempt to define “good art” but, in the words of artist Bruce Nauman, they do ask the viewer to “pay attention,” to regard their familiar environment in a different way and, in the process, perhaps see themselves in a new way as well.

Watch Pay Attention: The Stuart Collection at UC San Diego, then browse more programs that explore UCSD’S Stuart Collection.

Up Next: Perspectives on the Future of Everything

8232Some folks believe that peering into a crystal ball can predict the future. Others believe in the power of divination or fortune telling. While the methods differ, the question is usually the same. What does the future have in store?

Marty Lasden and co-producer, lawyer/author Eric Berkowitz, try to distinguish the prophets from the crackpots as they consider everything from genetic engineering to Judaism to the future of work in the series Up Next: Perspectives on the Future of Everything.

8232The Future of Work

Way back in 1987, when the Internet was still a novelty, Thomas Malone predicted the advent of electronic buying, selling, and outsourcing. Then, just a few years later, he coined the term “E-lancer” to describe the new crop of freelance workers emerging in the information economy. And in 2004, he published a book called The Future of Work. In this edition of Up Next, Malone, who is a professor of management at the Massachusetts Institute of Technology, considers how, if at all, workers will be able to survive and thrive in the decades ahead.

8232The Future of Marriage

In Medieval times, marriage was very different than it is today. Marriages were often based on political arrangements, and women often didn’t get to choose whom they would marry, or even know their future husband beforehand. If love was involved at all, it came after the couple had been married. In this edition of Up Next, leading family studies scholar Stephanie Coontz talks about the changing nature of marriage and how well the institution is likely to fare in the decades ahead.

Browse all of the programs in the series Up Next: Perspectives on the Future of Everything.

In Their Own Words: Writers and Authors

8232Explore new interviews and readings from your favorite authors as well as up and coming authors and students from the University of California.

Writers explain in their own words the process of creation, how they stay motivated, and what it takes to go from an idea to a completed piece of writing. Listen as they read new and popular excerpts of their work and discuss the writing life during in-depth interviews. From poetry to prose, memoirs to fiction, screenplays to blogs – whether your passion is reading, writing, or both – with our latest collection, you’ll discover new books to explore and perhaps find the inspiration to write one of your own.

Featuring:

Joyce Carol Oates
Joyce Carol Oates
Jane Hirshfield
Jane Hirshfield
Lydia Davis
Lydia Davis
Joseph Stiglitz
Joseph Stiglitz
Destin Daniel Cretton
Destin Daniel Cretton
Lysley Tenorio
Lysley Tenorio

… and more!

Browse our collection of Writers & Authors today!

Fourth Season of Script to Screen a Big Success

8232The UCSB Script to Screen series just completed its fourth and most successful season to date. We hosted three special Academy screenings (Whiplash, The Theory of Everything, and The Grand Budapest Hotel) where we connected Oscar nominees with students and the Santa Barbara Academy/Guild community. We also expanded our series to include a focus on television with our 10th Anniversary of Lost with Executive Producer/Director Jack Bender. This season our guests of honor shared key lessons about the importance of personally connecting to the material as well as having a family-esque support system to help bring the script to the screen.

Here are some special quotes from our guest artists:

29040The Theory of Everything with Oscar-nominated screenwriter Anthony McCarten:

“In 2004, that was the real catalyzing moment for me when I read Jane Hawking’s auto-biography. Everything I thought I knew about Stephen Hawking was displaced by everything I didn’t know. This was a unique, emotional insight into his private life. This incredible love story, very much one of a kind, unprecedented in some ways, challenging, heartbreaking, triumphant. I thought if I can get the rights to that book and marry it with the public world and what we know of Stephen and his public story, you know we would really have something special.”

29315Whiplash with Oscar-nominated writer/director Damien Chazelle:

“I was a drummer when I was in high school, and I had a teacher that was very much in this mold. It was the sort of thing where drumming had been this sort of hobby for myself that I did not take that seriously. As soon as I got in the orbit of this conductor/this teacher and his big band that he ran, he suddenly felt like life or death everyday. I felt the worse thing possible would be to screw up a hit or a beat. I just remember the daily dose of dread that I would feel during that time. I don’t play that much anymore, but you get a lot of fodder from that sort of emotional experience. It occurred to me that there might be a subject for a movie there.”

28922500 Days of Summer with screenwriter Scott Neustadter:

“This was very much a cathartic thing. I’d been broken up with, didn’t understand why, could not accept that it was just that she didn’t feel the same and then a minute later she got engaged, and I was like, What in the world? I was writing to put it all out there.”

The UCSB Script to Screen series returns in October 2015 for its 5th season. This coming year we will be expanding to include more actors on the stage with the screenwriter. Plus, we are currently planning a major event with a frontrunner to the 2016 Best Picture nominee and with a very special guest.

Browse all programs in the Script to Screen series.

What Happened to Klimt’s Golden Lady?

8232Helen Mirren and Ryan Reynolds tell the story Hollywood-style in “Woman in Gold,” but if you want to know what it really took to get Klimt’s masterpiece back to its rightful owner, watch this!

The real Randol Schoenberg gives a riveting account of his work on behalf of Maria Altmann that makes their eventual triumph in Austrian courts all the more satisfying.

Watch What Happened to Klimt’s Golden Lady? with E. Randol Schoenberg on The Library Channel.