Where do we go from here?

The United States has seen nationwide protests for weeks over the deaths of Black people at the hands of the police, and the frustration that racism and racial inequality still persist throughout modern American life.

Leading scholars and #1 Best Sellers, Robin DiAngelo (White Fragility) and Ibram X. Kendi (How to Be An Anti-Racist) participated in a conversation with Pulitzer Prize-winning journalist Wesley Lowery to discuss persistent racism in our society.

This wide-ranging conversation tackles important questions: How do we talk about race in a way that unites and strengthens us as a community? How do we get beyond our superficial differences and see ourselves as one and the same, with our multiple enriching individualities, with more in common than not, yet with our same basic needs and emotions and hopes and dreams?

This event is presented by the National Conflict Resolution Center (NCRC). Their mission is to help resolve conflicts at all levels of society.

Watch A Path Forward: Empowering People, Transforming Cultures.

Genre-bending is Not for the Faint of Heart

Blending movie genres can be a tricky business, one often as not doomed to failure. Combining horror and comedy is especially fraught, since the two genres would seem to be mutually exclusive if not diametrically opposed in tone & subject matter. A few brave filmmakers have forged ahead regardless, including Rhett Reese and Paul Wernick, the screenwriters behind the sleeper hit Zombieland (2009).

Successful genre-bending is not something that can be tackled haphazardly. In conversation with UC Santa Barbara Pollock Theater Director Matt Ryan the duo discuss the many considerations that go into fashioning such a script, including finding the right horror/comedy balance while honoring the audience’s unavoidable genre expectations. As with any screenplay it’s a matter of making good decisions along the way; for example, Reese and Wernick determined at the outset that their zombies would be the fast-moving kind, a la 28 Days Later, and not the shambling variety popularized by Night of the Living Dead. They also elected to begin their tale with the zombie apocalypse well under way and almost taken for granted by our intrepid heroes. Subsequently there’s very little exposition about cause and scope to slow the pacing. As the writers note, it’s really not relevant to their story.

Reese and Wernick stress that having the right cast is absolutely vital to any film’s success, since if the actors are right for their roles they can boost the script to another level (and if not, it’s a train wreck). Fortunately the Zombieland cast includes such stalwarts as Emma Stone, Woody Harrelson, Jesse Eisenberg, Abigail Breslin, and the near-legendary Bill Murray, all experienced and adept at playing comedy and drama with equal aplomb. (And in case you were wondering, yes, Bill Murray is very much the same personality off-screen as on.) The scripters were able to do some re-writing as needed to suit the actors’ personas, which in their view made the director’s job a little easier and enhanced the final result.

Track down Zombieland, and then tune into this installment of Script to Screen. You’ll be entertained and hopefully better prepared for World War Z, if and when…

Watch Script to Screen: Zombieland.

Remembering the Holocaust

As a Jewish child during the Holocaust in Europe, Gabriella Karin escaped capture and death many times before the Nazis were overthrown in 1945. She survived by living in a convent for three years and then hiding with her family for nine months in an abandoned apartment building. Although physically safe, she did not emerge unscathed. Suppressed memories of her past came flooding back once she began to fashion sculptures related to the Holocaust later in life.

In this presentation, she recounts her journey and presents examples of her art. Her experiences and her creations offer an important insight into trauma and how creativity can be used as a tool to process memories of oppression, persecution, and loss.

Karin is a docent at the Los Angeles Museum of the Holocaust and participates in the Righteous Conversations Project, which unites survivors and students through art.

Watch Trauma, Memory, and the Art of Survival with Gabriella Karin.

Rebels with a Cause

As Dr. Henry Powell notes in “Irish Women of Resilience,” until the late 20th century the history of Ireland is a sad one. The Emerald Isle had the great misfortune of proximity to an aggressively expansionist, colonialist power that went on to dominate ad exploit the Irish people for nearly 700 years. That period was further scarred by famine, failed rebellions, civil war, and religious repression.

In response to the Irish people’s yearning for solace and preservation of cultural identity, the aisling (ASH-ling) was developed in the late 17th and 18th centuries as a uniquely Irish poetic genre. Aisling means “dream” or “vision,” and in the verses Ireland appears to the poet as a woman, frequently young and beautiful but occasionally old and haggard, who laments the current state of affairs in Éireann and predicts a revival, a resurgence of the Gaelic nation. Often this revival is linked to the return of the House of Stuart to the British and Irish thrones. Powell explains that women have long held a special place in Gaelic culture and literature, especially poetry, and the aisling is emblematic of that revered status.

“She is a girl and would not be afraid to walk the whole world with herself.”
– Lady August Gregory, poet

After establishing the importance of women in the collective Irish consciousness Powell turns his attention to women who have had a profound impact on Irish society in more recent times, including Hazel Martin (Lady Lavery) , an early Irish nationalist; the renowned ”Rebel Countess” Constance Markievicz, who advised women preparing for insurrection to “Dress suitably in short skirts and sitting boots, leave your jewels and gold wands in the bank, and buy a revolver;” popular novelist Elizabeth Bowen, who cast a sharp eye on social mores; Mainie Jellett and Evie Hone, artists and lifelong companions who rocked the art establishment by introducing cubism to Ireland; the first female President of Ireland, Mary Robinson, and her immediate successor Mary MacAleese; crusading journalist Nell McCafferty, who pursued the most powerful judicial figures in the country; and Mary Raftery, who exposed and documented decades of systemic abuse of children in State-funded, Church-run institutions.

This list is, of course, only a sampling of women who have influenced Irish society in virtually all respects. Powell notes that while each of these women has a unique story, their commonality is a fierce devotion to justice and a disdain for societal conventions meant to control, hinder, and demean women. Ireland is ending its first century of independence with increased prosperity and a forward-thinking, modern outlook, and that is due in no small part to resilient – some might say stubborn, but admiringly – Irish women.

Watch Irish Women of Resilience with Henry Powell – Osher Online Lecture Series.

Privacy, Practicality, and Potential: The Use of Technology for Healthy Aging

That wearable fitness device on your wrist is measuring so much more than your exercise levels. Digital tools offer unprecedented opportunities in health research and healthcare but it can come at the cost of privacy. Six days of step counts are enough to identify you among a million other people – and the type of inferences that can be made from other everyday behaviors is growing rapidly.

Camille Nebeker, EdD, MS is Associate Professor of Behavioral Medicine in the Department of Family Medicine & Public Health at the UC San Diego School of Medicine. She discusses the ethical considerations of informed consent and potential harms and benefits of these technologies. She also shares ideas on how we can work together to create systems that define and encourage safe digital health research and practice.

Watch — The Digital Revolution: Ethical Implications for Research on Healthy Aging