Since its inception 15 years ago, UC San Diego Jazz Camp has stayed focused on a single goal: ensuring the continued vitality of jazz music by identifying, instructing, and nurturing new talent. The camp accepts students ranging in age from 14 to adult, and from a variety of educational or vocational backgrounds. Prior to attending the camp, students attend placement auditions based upon which they are assigned to one of two proficiency levels, intermediate and advanced. Most of the camp’s instruction is designed for one of these levels.
The camp’s faculty is made up of internationally renowned musicians who are experts in a variety of jazz stylings, from be-bop to contemporary open-form. The rigorous and immersive curriculum covers a broad range of topics and techniques, including Jazz Improvisation, Listening to Jazz, Master Classes, and individual lessons. There is a particular emphasis on jazz as a performance-oriented art form through participation in small ensembles and informal jam sessions, and attendance at faculty concerts.
The week’s activities culminate in a finale concert in which all students perform as a member of an ensemble under the supervision of a faculty member. Concert sets feature an assortment of instrumental combinations and an eclectic repertoire that includes standards as well as new compositions by faculty and students. Each student gains valuable performance experience and an opportunity to shine in front of a supportive and appreciative audience. In turn, audience members have the opportunity to witness some fine young musicians at the start of their career and older musicians embarking on a new chapter.
Watch UC San Diego Jazz Camp 2017 and explore the archive.
When Dr. David Chase assumed leadership of the La Jolla Symphony Chorus in 1973, it consisted of 60 members. Over the succeeding years, Dr. Chase grew the chorus to 130 voices while expanding the group’s repertoire to include contemporary works as well as proven classics.
To mark his retirement after 44 years as Choral Director in June 2017, Dr. Chase assembled and conducted an eclectic program inspired by love and passion under the appropriate title, “The Lovers.” The first piece, the charming “Overture to Beatrice and Benedict,” is a concert staple from Hector Berlioz’s opera comique based on Shakespeare’s “Much Ado About Nothing.” Next on the bill is Arnold Schoenberg’s tone poem “Verklärte Nacht” (“Transfigured Night”), the composer’s interpretation of a German romantic poem. It is widely considered one of this modernist composer’s most accessible works. In the program’s final piece, “The Lovers,” American neo-Romantic composer Samuel Barber sets a cycle of poems by celebrated Chilean poet Pablo Neruda for baritone, mixed chorus, and full orchestra.
Taken as a whole the three pieces form a compelling examination of both the complexities of love and music’s ability to speak directly to the heart. Not coincidentally, the program also reflects David Chase’s passion for music and lifelong devotion to popularizing lesser-known works and is a fitting culmination to his tenure with La Jolla Symphony & Chorus. Dr. Chase will be ably succeeded, but he can never be replaced.
Watch La Jolla Symphony & Chorus: The Lovers
Transgender issues have been represented on film for some time and have an enormous impact on society because it is through media that most Americans learn about transgender people. This series from the Carsey-Wolf Center at UCSB looks at contemporary media work in television, feature documentaries, and fiction films that explore the dreams, challenges, successes and everyday lives of trans people. These unapologetic films challenge the often rigid binary view of the world.
Take a look at these fascinating discussions:
The film follows 13-year-old Zoey and her family as they navigate Zoey’s transition from boy to girl, highlighting the legal battles they wage against discrimination in Zoey’s public school. This Q&A session with the film’s director Dante Alencastre is moderated by Abigail Salazar of UCSB’s Resource Center for Sexual & Gender Diversity.
The critically-acclaimed comedy-drama series debuted in 2014. It strives to demystify the trans experience and make it visible. Amy Villarejo, professor of performing and media arts at Cornell University, joins Patrice Petro, professor of film and media studies at UCSB, for a discussion of transgender emergence, Jewish identity and queerness within this TV series.
The documentary confronts the culture of violence surrounding transwomen of color. CeCe McDonald survived a brutal attack, only to be incarcerated for defending her life. A Q&A session featuring director Jacqueline (Jac) Gares and CeCe McDonald is moderated by Lal Zimmerman, assistant professor of linguistics at UCSB.
Still Black: A Portrait of Black Transmen
Director Kortney Ryan Ziegler’s documentary centers on the stories of six diverse transmen. This Q&A session with Ziegler is moderated by Jennifer Tyburczy, a professor of feminist studies at UCSB.
The critically acclaimed indie film offers a compelling and unique look trans street culture rarely seen on film. The Los Angeles sex trade story was entirely shot using modified iPhone 5S cameras. This Q&A session with actress and transgender woman Mya Taylor is moderated by professor of film and media studies Patrice Petro.
Join host Dean Nelson as he welcomes three writers to this year’s Writer’s Symposium by the Sea. This annual event at Point Loma Nazarene University presents an evening of interviews conducted by symposium founder Dean Nelson, featuring lively conversations about the inspiration behind the authors’ works. Enjoy cutting edge creators, life stories, examples of great writing, and evocative conversation that will inspire the reader and writer alike.
An Evening with Tracy Kidder
Pulitzer Prize-winning author Tracy Kidder reveals his reporting strengths as he describes how he earned the trust of the people he has featured in books such as “Mountains Beyond Mountains,” “House,” “A Truck Full of Money,” “Old Friends,” and “Strength in What Remains.” Kidder shares the joys and doubts of a career in writing with veteran journalist and host Dean Nelson.
An Evening with Robert Pinsky
Former Poet Laureate Robert Pinsky describes himself as a “composer” who considers poetry to be first and foremost a vocal art, and his work seeks to blur the distinctions between language and music by emphasizing the rhythms and innate physicality of recited verse in a jazz context. In this performance, Pinsky’s reading is accompanied by a talented trio of PLNU students. The music – a blend of rehearsed and improvised – employs a variety of jazz styles, sometimes sympathetic and sometimes in playful counterpoint, but always responsive to the poet’s distinctive voice.
An Evening with Shauna Niequist
This far-reaching conversation with best-selling author Shauna Niequist offers an honest account of her journey of becoming and evolving as a writer. She shares her love of storytelling and her goal of living life to the fullest, and offers tips for aspiring writers. Niequist’s newest release is “Present Over Perfect: Leaving Behind Frantic For A Simpler, More Soulful Way Of Living.”
Browse past seasons of Writer’s Symposium by the Sea to watch interviews with Joyce Carol Oates, Anne Lamott, Billy Collins, Mary Karr, and more!
Years ago (I won’t say how many) I was sitting on the steps of a Cinemobile truck parked near a film set (I won’t say which one), practicing “hurry up and wait.” I was chatting with a grip, a veteran of countless productions with decades in the business. At one point he sighed, looked off in the distance, and said, “Just once I’d like to work on a picture that’s about something real.” Even at that tender age I understood that desire; it’s what compelled me to become a documentarian, while my fellow film students aspired to be Spielberg or De Palma.
I recently recalled that encounter while watching an episode of Conversations with History featuring filmmaker Oliver Stone, and realized that my enthusiasm for factual filmmaking also informed my interest in Stone’s work. Beginning with his sophomore film, “Salvador,” and throughout his career, Stone has incorporated elements of documentary style in heightened narratives that are often based on real people and historical events. In his pursuit of what he’s termed “emotional truth,” as opposed to literal truth, Stone has never shied away from controversy. Stone’s detractors – and they are legion – accuse him of being “undisciplined’ and “reckless” in dealing with facts, labeling him as a “propagandist” and an “amateurish would-be historian.” In fairness Stone has never claimed to be either objective or an historian in the academic sense (though his films are heavily researched); rather, he has stated that his goal is not to provide definitive accounts but to spark debate while hopefully entertaining his audience. In this he has often succeeded, and even those self-same detractors can’t deny his prowess as a filmmaker.
Stone’s work in documentary and docudrama is just one of the many topics discussed in a wide-ranging interview with “Conversations” host Harry Kreisler. Of particular interest is Stone’s discourse on the changes that have overtaken him since his last appearance on the program some twenty years earlier. He’s an older artist who’s fallen out of favor in Hollywood, and his once-prodigious output has slowed as a consequence, but Stone remains committed to his beliefs and fearless in expressing his viewpoint.
One of the consistent themes in Oliver Stone’s work is a determination to explore the complexities of character, and in this interview Stone himself emerges as a complicated figure – by turns insightful, dogmatic, worldly, parochial, passionate, and analytical; at times exasperating, but, like his films, never dull.
Browse this program and others on Conversations with History.